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Adobe Photoshop Course Contents
OPENING AND SETTING UP A DOCUMENT
DIGITAL IMAGING FUNDAMENTALS
CROP AND STRAIGHTEN
EXTENDING IMAGES
ADJUSTING IMAGE LUMINANCE
ADJUSTING COLOURS
THE UNDO AND THE HISTORY PANEL
SELECTIONS
MASKING
BASIC RETOUCHING
THE BASICS OF LAYERS
BASIC BRUSHES
WORKING WITH COLOUR
SIMPLE COMPOSITIN
SAVING YOUR WORK
COMBINING MULTIPLE IMAGES
GETTING TO GRIPS WITH TEXT
INTRODUCTION
WORKING SMARTER WITH BRIDGE
CAMERA RAW
RETOUCHING
ADJUSTING IMAGE LUMINANCE
SHADOWS/HIGHLIGHTS
WORKING WITH TYPE
WORKING WITH VECTORS
LAYER STYLES AND EFFECTS
USING LAYERS
SCALE, ROTATE, SKEW, AND WARP
Content Aware Extend
WORKING WITH GREYSCALE AND BLACK & WHITE
SELECTIONS AND MASKING
SELECTING WITH THE COLOUR RANGE COMMAND
SHARPENING DETAILS
NOISE AND DETAIL
SAVING FOR THE WEB
- Introduction to Adobe Photoshop
- Lets get familiar with the Tools panel
- Run through of the Tools panel
- Switching tools using the keyboard
- Dark or Light Interface
- Navigating your image
- Navigating tabs and windows
- Panels and workspaces
- Zooming in and zooming out
- Entering a custom zoom value
- Scrolling and panning images
- Rotating the view
- Working with tabbed documents
- Arranging documents
- Cycling between screen modes
- Switching tools using the keyboard
- Customizing the keyboard shortcuts
- Opening from files from Windows and Mac
- Opening from Adobe Photoshop or Bridge
- Opening an image from Bridge
- An overview of Bridge
- Closing images
- Image size and resolution
- The Image Size command
- Resolution standards
- Up sampling and what happens when you do
- Changing the print size
- Down sampling for print and web
- The interpolation algorithms
- Best practices
- The new and improved Crop tool
- Straightening a crooked image
- Using the Perspective Crop tool
- Automatically Cropping and Straightening scanned images
- The Rule of Thirds
- Creating a border around your image
- Extending the canvas
- Using Content Aware Extend
- Using Content Aware Fill
- Using Content Aware Scale
- Let there be Luminance
- The Auto commands
- Adjustments using Brightness/Contrast
- Adjustments using Levels
- Adjustments using Curves
- Working non-destructively with adjustment layers
- Editing adjustment layers
- Isolating an adjustment with a layer mask
- Hello to the histogram
- Basics of the Shadows/Highlights command
- Gather logs
- Assessing an image
- Identifying a colour cast and how to correct it
- Correcting a colour cast automatically
- Changing the colour balance using levels
- Changing the colour balance using Colour Balance
- Adjusting colour intensity with Vibrance
- The Hue/Saturation command
- Undo
- Utilizing the History Panel
- Creating a Snapshot
- Creating a new Document from a History State
- What are selections and why we use them?
- The Marquee tools
- Getting to know the Lasso tools
- Magic Wand and Quick Mask tools
- Adding to and subtracting from Selections
- Modifying Selections
- Saving and Loading Selections
- Meet the Channels Panel
- Understanding what a mask is and does
- Working with Layer Masks
- Using the Spot Healing Brush
- Using the Healing Brush
- Using the Patch Tool
- The good old Clone Stamp tool
- The Dodge and Burn tools
- Tips and Tricks
- The Background layer
- Using a layer mask instead of deleting pixels
- Naming, hiding, creating, and deleting layers
- Altering the stacking order of layers
- Layer transformations
- Aligning and distributing layers
- Changing the opacity of layers
- Grouping layers
- Merge or rasterizing layers
- Flatten or Save As?
- Best Practices
- An overview of brushes and the Brushes panel
- Brush size and hardness
- Brush shortcuts
- The Swatches Panel
- The Colour Panel
- The Colour Picker
- Using the Eyedropper Tool to sample colour
- Creating simple gradients
- The various options for copying and pasting
- Dragging and dropping
- Placing an image
- Smart Objects and why when to use them
- Saving images to PSD
- Saving images to TIFF
- File Formats and which to use
- Best practices
- Using the Save For Web utility
- The Colour Modes explained
- Auto Align
- Auto Blend
- Creating panoramas with Photo merge
- Horizontal and Vertical type tools
- Customizing font properties
- The Character panel
- The Paragraph panel
- Managing text layers
- Adjusting preferences
- Creating keyboard shortcuts
- Using the HUD colour picker
- The interface and performance settings
- Opening and organizing files
- Viewing, choosing and assessing images
- Adding Metadata and Keywords
- Working with Batches and Actions
- Collections and Smart Collections
- Labeling and Filtering
- Difference between RAW and compressed images
- Intro to Adobe Camera RAW
- Camera RAW Filter in Adobe Photoshop
- Working on a actual retouching projects, non-destructively
- Scaling tips
- Content aware Move
- Working with all the Liquefy tools
- Improve body shape and detail
- Editing with the histogram
- Customizing a Levels adjustment
- Understanding the Gamma value
- Making channel-by-channel adjustments
- Simulating a Grey Card
- Customizing a Curves adjustment
- Colour adjustment by the numbers
- Tips and tricks
- Working non-destructively with Shadows/Highlights
- Shadows Highlights techniques
- The Radius values explained
- Enhancing the effects of Midtone Contrast
- Masking a group of Smart Filters
- Creating point text
- Choosing fonts and type style tricks
- A run through of the Character and Paragraph panels
- Kerning and tracking characters
- Creating and editing area text
- Selecting and formatting paragraphs
- Using Paragraph Styles
- Using Character Styles
- Setting text inside a custom path
- Creating text along a path
- Masking text into image elements
- Anti-aliasing explained
- The other vector-based layer
- Drawing a dashed or dotted border
- Drawing and aligning custom shapes
- Combining simple shapes
- Cropping and merging shapes
- Adjusting Live Shape attributes
- Working with the pen tool
- Applying and creating Layer Styles
- Loading and customizing Layer Styles
- Merging and saving Layer Styles
- Copying Layer Styles
- Depth, contour, and texture
- Imparting depth with a layer effect
- Creating shadows
- Bevel and Emboss
- Modifying a layers effects
- Saving custom default settings
- Creating a custom contour
- Global Light and rasterizing effects
- Surface contour
- Adding textures
- The Layers panel stripped down
- Creating layer comps
- Adding, scaling, and aligning layers
- Dragging and dropping layers
- Stack, reveal, and rename
- Opacity, history, and blend mode
- Duplicating a selected portion of a layer
- Applying a clipping mask
- Creating a new layer and background
- Layering tips and tricks
- Filtering layers
- Meet the transformations
- Transformation and Smart Objects
- Rotating a layer with Free Transform
- Scale, duplicate, repeat, distort, perspective, and skew
- Convert to black and white
- Several ways to convert to grayscale
- Mixing a custom black-and-white image
- The Black & White command
- Customizing the Black & White settings
- Black & White or Channel Mixer
- Creating a sepia tone
- Adding to and subtracting from Selections
- Feathering a selection
- Refine Edge and Refine Mask
- Working with the Mask panel
- Modifying Selections
- Saving and Loading Selections
- Viewing a mask with or without its image
- Painting directly inside an alpha channel
- Correcting fringes around a masked layer
- Turning a layer into a knockout
- Selecting Skin Tones
- Selecting a complex image with Colour Range
- Refining a selection in the Quick Mask mode
- Understanding the Smart Sharpen filter
- Understanding the Unsharp Mask filter
- Assessing the best sharpening practices
- Sharpening with High Pass
- Sharpening using Smart Filters
- The Noise/Details balancing act
- Introducing the Reduce Noise filter
- Brushing away blur and sharpening
- Creating texture by adding noise
- Correcting noise in Camera Raw
- Working with the Median filter
- The main print options
- Description and printing marks
- Applying bleed
- The Colour Settings
- Other printing options
- Previewing an image at print size
- Creating contact sheets
- Creating a web gallery
- Overview of Colour management
- Configuring Colour settings
- Soft proofing
- Producing a suitable JPEG image
- Producing a suitable GIF image
- Working with colours to reduce file size
- PNG and PNG
- Viewing results in a browser
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